What is a documentary wedding photographer?
I’m going to start this blog post with some words from one of my couples I had the pleasure of photographing. Feedback of any sort is always appreciated for us photographers, and when it comes from a fellow wedding photographer (Clare, the bride) its even more special. When I get Google reviews and thank you cards from my couples its not only a written acknowledgement that i’ve done a good job, but also a record of letting me know that the documentary approach I love to shoot a wedding with is still working for me!
“I'm trying to pick a favourite and can't - I love the big moments and the small. It’s easy to talk about the obvious big moments, half the time I can’t believe it’s our wedding I’m looking at. But I love the small, quiet moments too - the light on the floor tiles, Craig's hand on my back, the forest leaves - you've captured these so perfectly they make my skin tingle. Please don't ever underestimate the effect of these seemingly 'small' photos.
You were the best and easiest decision we made for our wedding. I could go on, but I won't because I think you already know just how much these photos personally mean to me (and of course Craig).“
CLARE + CRAIG
These guys got married at the beautiful Pumping House in Nottinghamshire. Click HERE if you want to see more from their lovely wedding day.
So what exactly is a documentary wedding photographer? In my mind its a photographer that doesn’t interfere with the proceedings of your wedding day, and will do their very best to capture an honest, true, and real story of the day through a collection of un-staged and natural images.
Working as a documentary wedding photographer really suits me for many reasons. The main attraction is because of my background in photography before I decided to become a full time wedding photographer. The first decade of my career was spent as a press photographer supplying images to newspapers, magazines, and agencies. It was manic, high-pressured, and extremely fun (very much like how weddings can be!). I learnt so much as a press photographer, and it definitely helped me to develop a creative and reportage style that I use at all my weddings I shoot. Being thrown in at the deep end at such a young age was also the best on-the-job education I could have asked for. I was just 17 years old when I started out and was ridiculously shy. I would be so nervous going on assignments, and I was always worried that people wouldn’t take someone so young at all seriously. Yes, the first few years were tough, but i’m so glad I did it and stuck at it!
Because I had to learn how to build my confidence around complete strangers on a daily basis (sometimes these strangers were politicians, celebrities, sports stars, and even members of the royal family) it quickly made me a much more assertive person, and definitely helped me come out of my shell. Being a press photographer really does make you become a ‘people person’. And if you don’t like people… well, maybe being a press photographer or a wedding photographer isn’t for you.
(BELOW) ME! Busy snapping, and enjoying a chilled-out festival-inspired wedding in Devon.
If you’ve booked me to shoot your wedding, or you’re reading this and thinking “this guy seems OK, and his photos are pretty cool, let’s book him!”, then here is my brief guide to how I approach every wedding in a documentary style.
Don’t worry, I still snap the group shots and the bridal portraits. Click HERE If you’re wondering how I shoot the groups, and click HERE if you’re wondering how I do the bridal portraits. And keep an eye out for a future post where I’ll be chatting about how I do the relaxed couple portraits!
Bridal / groom prep (a.k.a the potential chaos hours!)
The first part of your wedding day where I will be present is generally the ‘getting ready’ stage. My biggest advice for this part of the day is to just pretend I’m not there! Carry on like you were a few minutes before I came through the door, and this way I’ll blend into the background, float around taking really natural, fun, and sometimes deeply emotional images as your wedding day kicks off.
On the way to the ceremony - This really is a great time of the day to put my years of press photography into practice. Walking backwards (fast!) and snapping away. I’m pleased to say I mastered the art of the reverse-run when I was working on newspapers…
The Ceremony - This is where all the emotions can come out. The first time all your guests see you in your wedding dress, and also the first time you get to make a connection with the person you’re about to marry! Capturing connections is what I’m all about. I can’t get enough of people hugging, kissing, or just engaging in conversation with a friend or family member at a wedding.
(BELOW) Its great when a couple forget all about the guests, and just concentrate on each other… even if just for a split second!
(BELOW) All the tiny details. You don’t have to have faces in a photo to capture a connection or tell a story at a wedding.
The wider scene - Some people call them ‘environmental portraits’ but I prefer to just class it as taking a look at the wider scene. Capturing the vibe of the day / the moment in a single frame, and really telling a story with a frame-filling image.
All the fun! - By the time the getting ready/bridal prep/groom prep/ is done, and the ceremony has finished, most people have got used to me being around, and being a part of your day. Nowadays so many people are taking photos at weddings with their phones that I blend in even more by this point. Plus, I don’t lug around loads of equipment so am very discreet. This allows me to wander around, chat away to guests, and capture all the fun of your celebrations. I’m very lucky that my work attracts like-minded couples that are fun and carefree, and just want me to capture an honest story of their wedding day.
(BELOW) Here is a selection of candid shots I’ve taken where I’ve employed the “shoot first, ask later” attitude!
Night time action - I love it when a couple book me to stay late on their wedding day. The fun and antics that can be captured late into the evening is fantastic for a documentary wedding photographer. Its not just the action on the dance floor that I look out for… its everywhere!
Fleeting moments - These moments tend to be the images that pull at the heart strings the most with my couples. They are the photos that I always get the best reactions from after I’ve delivered them. I often hear “We didn’t even know you were there when that happened” or “Thats one of our favourite photos from the day… and our faces aren’t even in the shot!”
(BELOW) Kids at weddings. Whether they’re smiling, crying, or just picking their nose, they always make for great (and cute) candid shots.
(BELOW) Documenting this London wedding was ace. The bride and groom met up before the ceremony for a quick pint at their local. How cool is that?! Click HERE if you want to see their whole wedding. Its a gorgeous wedding, and a great example of how I shoot in a documentary style from start to finish!
(BELOW) All the feels! I always say that I like my fun photos to have energy to them, and all my other images to have feeling about them. This image of Clare wandering through the wood barefoot not only looks great, but will also remind her of what her wedding truly felt like. I like to think the images beneath it also give off great feelings too.
“Just turn it black and white… that will make it look arty right?”
My college years (and also my first few years as a professional photographer) were spent in the darkroom, perfecting the art of black and white photography. Its still a joy for me to convert an image into black and white nowadays. Losing the colour and opting for a mono version is more about trying to create an image with greater impact than the colour version had. And yes, it might make the shot look more arty… which isn’t a bad thing anyway. But I don’t just convert any shot to black and white. It needs to have the right content, and the right light for me to do this.
Emotional connections - These are most probably the hardest, yet most rewarding images for any documentary photographer to capture at a wedding.
If I spot a scene playing out in front of me where something like a hug or an embrace is going to happen I’m quick to grab it, move on, and not be seen. If I’m noticed I feel like I’ve ruined that moment for the person, and it would upset me if that was the case. I’m there to document the connections, not intrude on them.
(BELOW) A few of my favourite connection photos from the past couple of years. (I could’ve posted hundreds here!)
Before I finish I would like to point out that I’m not a totally 100% documentary photographer. I still take my couples away to do portraits, and I still do a few family group photos, but this never takes too long. 10 minutes away from your friends and family so we can get a collection of stunning portraits, then its back to the party!
If you’re looking for a wedding photographer and have really enjoyed seeing these images, then I’d love to hear from you. Drop me a message via my contact page and tell me about your wedding day plans. If you book me I promise that at no point during the day will I ask you to “say cheese” and I most certainly won’t tell the groomsmen to pick up the bride!
Bridal portraits on your wedding day
When most people look at my website the first thing that is quite obviously clear is my love for shooting a wedding in a totally natural, and documentary style. I don’t really like to interfere with the day one bit. The only time I probably make a suggestion to actually do some posed-up shots is when we do your couple portraits, or in this case, the bridal portraits of you on your own. I won’t take you away for ages to get these shots in the bag. Instead I’ll just use common sense to pick and choose a convenient time to grab a bridal portrait or two!
If you really don’t want any photos of yourself on your own, then thats cool with me! I’m more than happy to just shoot your wedding day in a totally 100% documentary style!
(BELOW) This image is a prime example of why I actually like shooting portraits on a wedding day. I spotted the beautiful light coming in from a side window at the top of the staircase as I was leaving bridal prep to head to the ceremony. So I waited a few minutes until Sophie came out, quickly asked her to stand in the light, and shot a few frames! I chose to focus on the dress to capture the amazing detail in it.
Bridal Prep - When you’re getting ready in the morning is a great time for me to get some natural portraits of you on your own. Yes, some of the weddings I shoot are absolute chaos at the bridal prep stage, and those are the ones I obviously wont even attempt to get a moment alone with you to get a beautiful portrait… but some are a lot more relaxing, and chilled-out… and if the room you’re getting ready in has awesome light (like these below) then that makes it a no-brainer to do some portraits.
(BELOW) Clare photographed during bridal prep at the stunning Pumping House venue in Nottinghamshire.
(BELOW) These three images are taken seconds before the brides leave bridal prep to head to their ceremonies. Again, you can see on their faces that they don’t look mega-stressed do they. So I’m clearly saying something to relax them, or they’re just very chilled brides… either way, a bit of common sense allowed me to realise that this was the moment to take a very quick portrait.
(BELOW) Tess, just feet from the bridal room at The West Mill in Derbyshire. No need to take you on a long trek to a different part of your venue for a photo… when the light and location is perfect I’ll just choose to do it in a convenient place. This again was taken just a few minutes before the ceremony.
(ABOVE) Lori, at the The Old Vicarage Boutique in Southwell. This time taken in the bridal suite. Make up and hair all finished and in plenty of time, so a perfect chance to ask the bride for a quick photo by the window.
(BELOW) Gemma got ready at an amazing Air BNB before heading off to her wedding at the Elmley Nature Reserve in Kent. It had a gorgeous wooden decking area out the back, and just before she and the girls set-off for the venue I took a few relaxed, and very simple portraits of her. The wooded setting really worked well with her beautiful Rue De Seine dress.
(BELOW) Most couples book me because of my light, bright, and colourful images, but every now and again I do like to go dark and moody for some atmospheric and dramatic portraits.
(BELOW) Outside the church - You will not believe the amount of times I’ve had a vicar snap at me and say “Have you finished taking photos yet?” As soon as I arrive at a church with a bride. When in actual fact I’d never stop a bride on her way into a church… I’d much rather just observe the excitement/nerves of arriving at the church than stop proceedings and get in the way.
(BELOW) Any bridal portraits taken after the ceremony are likely to be taken with your partner nearby! This works for me, especially if it provokes a reaction like this cute photo I shot in Lake Como.
(BELOW) Looking for light - I’ll always be on the hunt for the best light for the portraits. This can be anything from harsh sunlight (image 1), side-light coming in whilst a bride is taking shelter from the rain (image 2), and bright light coming in from all angles in a light and airy room (image 3). If you’ve had a good look around your venue and you’ve seen a room that you love, wither because of the backdrop it can offer, or if the light inside it is sensational, please mention it to me on your wedding day, and we’ll capture something amazing in there!
(BELOW) Portraits throughout the day - These 4 images all look like they could’ve been taken in the space of a few minutes, when it actual fact the first 2 were taken at bridal prep in the morning, the 3rd was taken at the drinks reception after the ceremony, and the 4th was shot a few minutes before the first dance in the evening. None required me taking Jeni away from the party for long. They’re very simple setups that are take when a great backdrop has occurred when the bride has been nearby to it, rather than me scouting out a venue weeks in advance for good locations. Some wedding magazines and blogs will tell you that your photographer has to do this. They’re wrong!
(BELOW) The setting - Steph and some simple poses in front of backdrops that I felt worked really well with her dress/style/vibe. The first shot taken in front of a farmyard over the road from the cottage she got ready in…
… and these shots, taken in the garden of the cottage.
(BELOW) If you’re not afraid of getting your dress slightly dirty (which, lets face it, if you’ve chosen a white dress its highly likely you will) we’ll get on like a house on fire! Jen was an amazing bride to photograph. It rained SO much on her wedding day at The Old Vicarage at Elkesley but she didn’t let that stop her from having the best wedding day, continuing to smile, and just going with the flow when it came to taking some portraits in the extremely wet conditions. And as you can see from the 2nd image, when we did have a very brief glint of sunshine we definitely made the most of it to get a vibrant and punchy portrait.
(BELOW) Keep smiling and just have fun - Be yourself in front of the camera and your personality will shine through!
(BELOW) I never over-complicate things. I keep things dead simple, and am very aware that any time we’re spending on the portraits is time you’re away from your celebrations. And yes, that is a bathroom thats halfway through a renovation!
(BELOW) The golden hour - Probably my favourite time to do the portraits because this is generally when the light will be at its best. Believe me, it really is the most flattering light. Its also a big hit with me because by this time you would have got so used to being photographed by me that you’ll be super-chilled (and possibly a bit tipsy by this point of the day!).
So there we have it… what were you worried about? Having your photograph taken on your wedding day doesn’t need to be some elaborate photoshoot that goes on for hours. It certainly wont be if you choose me to shoot your wedding!
(ABOVE) The only photo in this collection / blog that was taken with a flash! I prefer to shoot 95% of a wedding day without a flash… using just available light. I generally get the flash on the camera as soon as the party kicks off in the evening, and I’m snapping the antics on the dancefloor with you and your friends and family.
Group photos at weddings (the fun and quick way)
Shooting group photos at weddings is probably the oldest tradition that links photography with weddings. And as much as I dislike doing them, I do realise they have a purpose, and a certain degree of importance to the documenting of your day. I totally get it… at your wedding are the most important people in your lives, taking part in possibly the most important day of your life (so far), so making sure you get a photo of you and them together in the same shot is a huge deal.
The biggest mistake most couples make when it comes to having their group photos taken on their wedding day is the amount of time you put aside for it. Or possibly the huge amount of time your photographer has put aside for it. Believe me, there are some photographers out there that bloody love doing endless group photos… I’m not one of them. I’d rather be spending my time getting fun, emotional, creative, and natural photos of you and your guests enjoying the day without the faff of a boring two hour staged photoshoot. Your day will go by in the blink of an eye, don’t waste it doing something you really don’t want to.
Admit it, we’ve all been to a friends wedding where the group photos seemed to take forever to get done… people started arguing because they were taking so long… or Uncle Dave was missing from the shot (almost certainly at the bar!)… well, this is exactly the reason why I give all my couples two simple instructions to make the group photos part of their day go as smoothly as possible.
Keep your group photos list to around 6-8 groups MAX!
We shoot them 10-15 minutes before you sit down for food/speeches… and the whole process doesn’t take longer than 10 minutes!
